6/2/2006 ~ The Antigua Pickguard Story
I'm not quite sure what to make
Last week I went to a guitar
show in Philadelphia. "Guitar shows" are held almost
every weekend somewhere in the country. They are public events
in large rooms (like convention centers) with hundreds of guitar
dealers (like me) displaying thousands of guitars (like this). We buy and sell and trade...
and generally have a great time being around so many guitars.
I go to the nearby shows, like Philadelphia... and the semi-nearby
shows, like Nashville.
(The above paragraph is actually
just background info... The story begins now... )
As I was packing the truck to
go the show, my neighbor John asked if I'd try to sell his semi-working
accordion. Since odd, non-guitar instruments occasionally turn
up at these shows, I took it along. Much to my surprise, on Saturday
someone stopped at my booth and bought it.
(Well, the accordion isn't exactly
part of the story either... It begins with the conversation I
had with the accordion buyer... )
As this perfect stranger was
paying for this imperfect instrument, we started talking about,
you guessed it, guitars. He mentioned some unusual models he
had at home, like a collection of Competition Mustangs. (In the
late-1960s Fender made a series of Mustang guitars and basses
with racing stripes on them...) I mentioned that I had a collection
of Fender Antigua guitars. (In fact they're on display in the back of the store now)
He said, "Wow, I just happen to have an Antigua pickguard
for a Fender Starcaster! If you ever need that let me know!"
(The Starcaster was Fender's late-1970s attempt to mimic the
semi-hollow Gibson ES-335. It was a market failure.) I said to
him, "I have a lot of Antiguas, but I don't think I've ever
even SEEN an Antigua Starcaster! But if I ever get one, and need
a matching pickguard, I'll give you a call!"
(End of Part 1 of the story.)
Later that evening, I had dinner
with some old guitar show friends. We had a great time reminiscing
about the prehistoric days of guitar shows, in the early 1980s...
when we bought and sold and traded "used" guitars...
before anyone started calling them "vintage." I told
them that I first heard about guitar shows from a wacky guy from
Maryland named Steve, who had a store called Angela Instruments.
One day in May, 1981, Steve stopped at Pittsburgh Guitars on
his way to New York City. He rambled on about a group of guys
getting together to sell guitars (and buy and trade!) at the
Skyline Motor Lodge in Manhattan. I was so impressed that I went
to the very next New York show, and then twice a year for the
next 20 years!
When I mentioned that I haven't
seen Steve for at least ten years, one of the guys at the dinner
said they thought he quit vintage guitars and got into vintage
hi-fi equipment. No one knew where he was, but everyone at the
table agreed that he was a fun, colorful character. We toasted
him, and then, after ten or twelve more beers, called it a night.
(After all, we had to get up early the next morning to look at
The next day (Sunday) we bought
(and sold) (and traded) some more guitars, and then had a smooth
drive home to Pittsburgh.
(End of Part 2)
Here's the part I don't understand:
On Monday morning a package arrived
at the store. I was a little shocked when I saw the return address:
Angela Instruments, Annapolis,
MD. I haven't spoken to Steve in years. The first time I'd even
said his name in years was at the dinner 36 hours earlier...
I opened the package... and inside,
wrapped in bubble wrap... with no note or letter... was a pickguard
for an Antigua Starcaster!
I honestly don't know what this
- The accordion guy was from
Long Island, NY, and I never mentioned Steve to him. I couldn't
have. At that time I hadn't thought of Steve in years.
- At dinner with my old-time friends, I never mentioned Fender
Antigua guitars or their pickguards.
- Besides, in order for this package to arrive on Monday, Steve
must have mailed it by Saturday morning, long before I even mentioned
him that evening.
If you can interpret this situation,
let me know...
See you soon,
PS: Coming in two weeks: our
Martin Guitar clinic at The Rex Theater. There will be free strings,
discounts on guitar set-ups, a Martin LXM guitar give-away contest,
interesting and unique Martins from the factory, a display of
the Pittsburgh Guitars Vintage Martin Collection and lots of
great music. After the Martin Clinic we'll have a free concert
Martin & The Dixie Travelers.
Thursday, June 15th. 7PM.
PPS: Antigua Mini-history: Fender
first used this unusual gray/green-ish sunburst in 1967 on their
Coronado guitars and basses, plus their acoustics. They quickly
stopped, but eleven years later, in 1978, decided to try it on
all of their models. They quickly stopped again.
PPPS: This week's customer web site
~ More of The Antigua Pickguard
A lot of folks
wrote to say how spooky last week's email story was. I agree. It's seemingly
This week started
out pretty strange, too. Out of the blue, I got an email from
the accordion guy!
He said that
he was very happy with the accordion, and he wanted to show me
pictures of the Competition Mustangs that he told be about in
Philadelphia... Here they are.
I quickly wrote
back, and asked him about the Antigua Starcaster Pickguard. (If
you recall, he mentioned it in the first place because we were
talking about unusual Fender colors.) He said that he bought
the pickguard in January on ebay... from Angela Instruments!
Next, I called
Steve at Angela. After the usual, "Nice-to-hear-from-you"
stuff, he told me that late last year he bought a box of old
Fender parts from a retired store owner. In the box were several
pickguards for, of all things, Antigua Starcasters.
I was driving to Philly for the guitar show, Steve's son (who
I've never met) was coincidentally passing through Pittsburgh,
and stopped at Pittsburgh Guitars. The son saw my collection
of Antigua guitars in the showcase at the back of the store.
And that night he called his dad to tell him about it. Steve
said, "I know Pittsburgh Guitars, that's Carl's store!"
And the next morning he put an Antigua Starcaster pickguard in
the mail to me, as a surprise gift.
So to analyze
1) Steve bought a bunch of parts. He's done that before, so that
2) He's been selling the parts on ebay. Again... not unusual.
3) The accordion guy likes wacky Fender colors. He'd never seen
an Antigua Starcaster, but he was intrigued by the pickguard
he saw on ebay, so he bought it. That's perfectly normal.
4) The accordion guy meets me at a guitar show, and we start
talking about Fender colors. One of us mentions "Antigua"
and he tells me about the pickguard... That's easy to believe...
5) THEN, in a strange-timing sort of way, Steve's son wanders
into Pittsburgh Guitars... His dad used to sell guitars and still
sells parts... So it's understandable that if he saw the store,
he'd stop in...
6) The Antigua display in the back of the store is eye-catching...
It's not surprising that he'd tell his dad about it.
7) Steve and I had many fun dealings back in the 1980's. Back
then, before old guitars became "investments," people
like Steve and I bought and sold guitars just for the love of
the instruments. That's why I mentioned him at the Saturday night
dinner in Philadelphia. Since I was with a group of like-minded
folks, with similar histories, it's logical that we would talk
about old friends...
8) For the same reason that I mentioned Steve at the dinner,
when he heard about my collection from his son, he thought it
would be funny to mail me an Antigua pickguard...
9) The son's visit, and Steve's subsequent mailing, just happened
to coincide with the events at the Philly guitar show...
It all makes
sense now. There's really nothing in the above story that is
impossible. I admit that it seemed a bit miraculous when I opened
that box and saw the pickguard. But now that I know all of the
facts, I see that the only real coincidence was that Steve's
son was in Pittsburgh the same weekend as the Philadelphia show...
Oh, and that I met the accordion guy out of the 3000 people at
the show... And that we had a conversation about Antiguas....
And that I hooked up with the other dealers for dinner... And
that I chose to put the Antiguas on display a few days before
Steve's son happened to be passing the store... And that Steve
had more than one Antigua Starcaster pickguard and that's what
he decided to send me rather than a "Hey, what's new?"
note... Yep, it turns out not to be mysterious after all... right?
Hey, on a totally
different topic: Don't forget our
Martin Guitar Clinic next
Thursday, June 15th at The Rex Theater. Richard Starkey will
be demonstrating some cool Martin Guitars, including some new
prototypes. I'll be displaying some truly vintage Martins from
not only last century, but the century before! (the late 1800's!)
AND we'll have fabulous bluegrass music from Mac
Martin and The Dixie Travelers! All for free! Thursday, at The Rex.
See you soon,
PS: This week's customer web site:
Fri 6/16/2006 ~ Iceland
On Wednesday we were discussing
the advances in technology that have occurred since Pittsburgh Guitars opened its doors 27 years
Even in 1979 I knew that cell
phones were a possibility. (In fact, in my wacky college days
I had a regular home phone under the front seat of my car, so
at any moment, for humorous effect, I could pull it out and pretend
to make a call.) And of course, Star Trek communicators showed
us what phones of the future would look like.
But never in my wildest dreams
could I have predicted the internet and email. I could not have
imagined that we'd have a "web site" - a complicated, multi-page
ad... available for free, 24 hours a day, for the world to view...
and that strangers, and friends, could instantaneously write
to us from distant lands. Even now it's kind of hard to fathom.
Two weeks ago I sold a bass to
a guy in Iceland. I don't know where that is, but with a name
like that, I figure it's cold! He saw the photo on our web site,
called and bought the bass. (And, as an average Pittsburgher
I can't even spell Reykjavik.) (Of course, many Americans can't
spell Pittsburgh either, especially those folks from Pittsburg,
Kansas; Pittsburg, California; Pittsburg, Texas; Pittsburg, New
Hampshire; Pittsburg, Tennessee; or Pittsburg County, Oklahoma...)
Last week I got an email from
our former guitar teacher Korel... from inside Abbey Road Studios
in London! He was there recording with the Goo Goo Dolls, and
between takes he sent an email!
Then a few days ago, I got an
email from the Iceland guy. His band is on tour in England, and
he wanted to let me know that he just had his picture taken,
walking across Abbey Road!
What a small world it has become...
See you soon,
PS: Abbey Road Studios were originally
called EMI Studios. After The Beatles took the famous photo,
walking across the street (Abbey Road) in front of the studio,
the rest of the world started to refer to the studio itself as
Abbey Road. In the 1970s EMI officially re-named the studio.
a picture of me there, from a few years ago.
Tourists from all over the world
mimic the Beatles walk across that street every day. Here's a live web cam of the crossing.
PPS: Last night's Martin Clinic
at The Rex
was a lot of fun. We'll have pictures next week!
PPPS: This week's customer web site:
The Icelander's band. He sent me a CD and they're really
Fri 6/23/2006 ~ Richard Starkey
& The Martin Clinic
The Martin Clinic last week was
a lot of fun!
It combined my two favorite things:
guitars, music, and information... my THREE favorite things:
guitars, music, information, and a historical display.... my
FOUR favorite things: music, guitars, information, a historical
display, and some super fine Pittsburgh guitars customers...
doh... my FIVE favorite things: music, guitars, information,
a historical display, some super fine Pittsburgh guitars customers,
and alcohol... my SIX... oh, nevermind...
Guitars- Richard Starkey (no
relation), the clinician from Martin brought some cool expensive
guitars. He also played a few of mine, including my favorite-guitar-made-this-century,
my limited edition Martin Grand Ol' Opry model. Mac Martin &
The Dixie Travelers also brought two 1938 D-28s, which were fabulous!
Music- Richard (no relation)
played some fine solo guitar, and Mac Martin played some wonderful
bluegrass. And yes, there was both pickin' and grinnin'! (It's
interesting that even a sad bluegrass song will make you happy.
And I'm all for bein' happy.)
Information- Richard (no) explained
the variety of internal bracing designs used by Martin and the
resulting sound differences. He also talked about different ways
that necks are attached, and the subsequent changes in sound.
Although electric guitars will always be my personal first love,
it is fascinating to see how important the construction details
are in an acoustic guitar. With an electric instrument, many
things impact the eventual sound- the body, the pickups, the
amp, etc. With an acoustic, the sound is right there in the wood.
Historical display- Just for
the fun of it, I took the Pittsburgh Guitars Martin Collection
(1874 thru 2000). Here's me during set-up. It was really cool
to see everything set up in one long line. Many of our guitars
are in storage, and although we do have the display case in the
back of the store, I don't often get to see an entire group at
Super fine Pittsburgh Guitars
Customers- Folks come to an event like this because they truly
love guitars. Those are my kind of folks!
See you soon,
PS: After the show, for the complete
Pittsburgh experience, we took Richard (n.) to Dee's... and then
Primanti's... And I got him to sign a drum head!
PPS: It was so much fun to look
at the Martin Collection that it made me wonder what the Pittsburgh
Guitars Beatle Collection would look like, all set up in
one room. Bill from The Rex suggested that we have a night of
Beatle music at his place, and that would give me an excuse to
display a bunch o' stuff... He has Saturday, August 19th open,
for such a possibility... I'll let you know how that develops.
PPPS: This week's customer web site: